Calgary Photographic Society
July 2004 Newsletter
With the arrival of summer, it has been the Calgary Photographic Society's tradition to hold the July and August meetings outdoors. That gives all members the opportunity to enjoy the weather, hold a workshop outdoors, share ideas and experiences, make some nice photographs, and even go for a drink in a nice patio after the meeting.
The July meeting will take place at Confederation Park in the NW. It will be a workshop on infrared photography, conducted by our own Brian Henson. Please read the specific information in this newsletter about meeting place, equipment and film needs.
Last but not least, I want to thank all club members for helping the executive to decide about the fairest print competition system and structure of categories. Your time, patience, sharing of ideas and opinion is much appreciated.
José
José Guillén
Club meeting, June 2 2004
Guest Speaker
Our guest speaker at the June meeting was George Barr.
George Barr
George Barr does not earn a living in photography; photography is one of his passions. His passions continue to drive him, even after 4 decades of exposures! He has gallery representation, and his images can be found on the Internet.
George was immersed in black and white work for many years. He looked to Ansel Adams and Edward Weston for inspiration. He once had the honour of holding a real Edward Weston print - a priceless experience! For technical knowledge, he was particularly driven by the advice of Fred Picker.
Like many, he started out with 120 format, and "graduated" to 35mm. Then, as his images matured, he went back to 120 format and "graduated" again - this time in the other direction, to large format. In the last couple of years, he has been using digital cameras to a large degree.
The use of digital cameras has changed George's output in 2 ways:
First, he has seen his productivity rise dramatically. He has more images on display from the last 2 years of his effort than all the prior years combined.
Secondly, he has rediscovered colour images. Since digital cameras always capture in colour, it is up to the user to convert the images to monochrome if desired. More often than not, George is choosing to retain the colour information.
Digital cameras do not currently offer sufficient resolution for George's liking. To solve this, he often shoots a mosaic of images from the same vantage point and uses software to "stitch" the images together - effectively increasing the camera's resolution by the number of images used.
When George spent an evening with us, he brought along an entire gallery of prints. Almost all were shot digitally, all were less than 2 years old, and most were in colour. A number of images had been "stitched" from multiple exposures; one particularly large one had been made from a total of 18 exposures.
One notable thing about most of George's work is that he usually excludes sky from the image! This is unusual for a landscape aficionado. He explained: "Even if the weather is rotten, I can still make images." Considering his background in black and white - where colour balance of light sources is a (blessed!) non-issue - it's interesting to see he has retained this viewpoint even though he typically prints his images in colour nowadays.
Our thanks go to George Barr for sharing an evening, his thoughts, and his images with us!
Club meeting, June 2 2004
Print Competition Category Vote
In May, a questionnaire was circulated to members via e-mail to see what issues were of concern regarding the way our monthly print competitions are being judged.
Upon summarizing the responses, the executive felt that the only action necessary might be to change the categories in which the prints were being judged.
The executive chose to poll the members in attendance at the June meeting in order to choose from 3 sets of categories, presented below with the fraction of votes:
Option 1 (3 out of 21 votes)
| Novice Open | Novice Theme |
| Intermediate Open | Intermediate Theme |
| Advanced Open | Advanced Theme |
| Digital Open | --- |
| Exhibition | --- |
Option 2 (4 out of 21 votes)
| Novice Open | Novice Theme |
| Intermediate Open | Intermediate Theme |
| Advanced Open | Advanced Theme |
| Manipulated Open | Manipulated Theme |
| Exhibition | --- |
Option 3 (14 out of 21 votes)
Novice Open Novice Theme
Intermediate Open Intermediate Theme
Advanced Open Advanced Theme
Exhibition ---
The third choice was the clear favourite! This choice simplified the current set of categories by removing the "digital" category. Images created using any technique will be judged together - unmanipulated and manipulated alike, regardless of the technique used to produce the image.
Monthly print competitions starting with September 2004 will be judged using these 6 categories. As before, the exhibition category will remain as an unjudged showcase.
If desired, any entrant who presents a manipulated image - using any technique - is welcome to bring a copy of the image prior to manipulations for display to the audience.
Club meeting, June 2 2004
Print Competition Results
Theme: "Close-up"
Definition of Close-up: "a photograph taken at close range," or, "an intimate view or examination of something."
Source: Webster's New Collegiate Dictionary
Judges for the print competition this month were George Barr (our guest speaker for the evening), Juan Houston, and Scott Winter. The alternate judge was Tino Meisser.
Novice Open
Doug McNulty
"Skipper"
| Score | Novice Open | Title |
| 6.3 | Doug McNulty | Skipper |
Novice Theme
Terry Mah
Untitled
| Score | Novice Theme | Title |
| 8.0 | Terry Mah | Untitled (red flower) |
| 7.6 | Doug McNulty | Damselfly |
| 6.0 | Maidie Couvillon | Bighorn |
| Score | Intermediate Open | Title |
| --- | no entries this month | --- |
Intermediate Theme
Fran Williams
"Spring Close-up"
| Score | Intermediate Theme | Title |
| 6.6 | Fran Williams | Spring Close-up |
| 6.3 | Jack Dyck | Caterpillar |
| 6.0 | Lee Anne Daniels | Mystery Flower |
Advanced Open
Linda Maki
"South Beach"
| Score | Advanced Open | Title |
| 7.6 | Linda Maki | South Beach |
| 7.3 | Norm Capper | Kohi-San Woman |
| 6.6 | Julie Meisser | Sunflowers |
| 6.6 | Steve Wild | To Boldly Go Where No Ice Has Gone Before |
| 6.3 | Neil Koven | Don't Fence Me In |
Advanced Theme
Neil Koven
"Headlamp"
| Score | Advanced Theme | Title |
| 8.6 | Neil Koven | Headlamp |
| 8.3 | Scott Winter | Bird of Paradise |
| 7.3 | Norm Capper | Gecko |
| 7.3 | Linda Maki | Berries on a Rainy Day |
| 7.3 | Julie Meisser | Close-up |
| 6.3 | Steve Wild | Rustscape |
Digital
Terry Mah
"Ketchikan Car"
| Score | Digital | Title |
| 7.3 | Terry Mah | Ketchikan Car |
| 7.3 | Scott Winter | Self-Portrait |
| 6.0 | Neil Koven | Gulls at Sunset |
This image, tied for first, had the honour of
being the last image shown in the "digital" category.
Between chuckles, members in the audience were
heard asking: "What's digital about it?"
Digital
Scott Winter
"Self-Portrait"
| . | Exhibition | . |
| N/S | Brian Henson | Fish Ponds at Hadrian's Villa |
| N/S | Brian Henson | Untitled (hallway, stairs and railings) Pair of prints for contrast comparison |
Upcoming Competition Themes:
| Date | Theme | Definition |
| Jul 2004 |
no theme | No print competition |
| Aug 2004 |
no theme | No print competition |
| Sep 2004 |
Toilet |
"An outhouse. A biffy. A crapper, a loo, a dunny. A dumpster, latrine,
or throne. You get the idea..."
Source: Stephen Butt |
| Oct 2004 |
Sunset |
"the apparent descent of the sun below the horizon, also: the accompanying
atmospheric effects"
Source: Webster's New Collegiate Dictionary |
| Nov 2004 |
Sharp |
"adapted to cutting or piercing", or "having a thin keen edge or fine point"
Source: Webster's New Collegiate Dictionary |
| Dec 2004 |
Gold(en) |
"a variable colour averaging deep yellow", or
"having the colour of metallic gold"
Source: Webster's New Collegiate Dictionary |
| Jan 2005 |
Glass |
"hard, usually brittle and transparent substance made by fusing sand"
Source: Oxford English Dictionary |
| Feb 2005 |
Underwear |
"clothing or an article of clothing worn next to the skin and under
other clothing"
Source: Webster's New Collegiate Dictionary |
| Mar 2005 |
Fence |
"a barrier intended to prevent escape or intrusion or to mark a
boundary, especially such a barrier made of posts and wire or boards."
Source: Webster's New Collegiate Dictionary |
| Apr 2005 |
Wheel |
"a circular frame of hard material that may be solid, partly solid, or
spoked and that is capable of turning on an axle"
Source: Webster's New Collegiate Dictionary |
Members in the news - Neil Koven
Press release dated April 27 2004.
2004 Professional Photographers of Canada National Print Competition
The 2004 National Print Competition of the Professional Photographers of Canada (PPOC) took place this week in Quebec City during their Annual Convention.
Neil Koven, CPA ARPS, a professional photographer from Calgary, AB.
Neil had 3 images accepted and exhibited in the National Print Salon, judged prior to the Convention by a panel of Master Photographers from across Canada. Acceptance in the Salon earns the maker Merits toward several Degrees offered to PPOC members, including the prestigious Craftsman of Photographic Arts and Master of Photographic Arts. It is also an indication of the makers' ability to produce above average images for their clientele.
The competition features entries from across Canada in many different classes, including Portraiture, Wedding, Commercial, Digital, and Specialist categories. Members are also able to enter Salons in their respective regions of Canada annually, increasing their opportunities to earn recognition for their skills as a PPOC member.
The Annual Convention also presents seminars by an international assortment of the world's foremost photographers, as well as a Trade Show where suppliers display the latest in equipment and services to the Professional Photographic industry.
For more information on the activities and services offered by the Professional Photographers of Canada, interested readers may contact the organization by phoning 1-888-643-PPOC, e-mailing ppoc at rogers.com, or visiting the PPOC Web Site at http://www.ppoc.ca
PPOC wishes the recipients and their sponsors continued success.
Submitted by:
André Amyot, HLM MPA
National Exhibition Chair, PPOC
Samples of the 3 images submitted by Neil are shown below; these ought to look familiar to regular attendees of the monthly meetings!
Congratulations are in order for Neil on his accomplishments!
Upcoming Events
Don't miss the International Photo Salon (sponsored by Kodak) at the Calgary Stampede this year. Apparently, 1800 photographs will be on display.
The Salon will be located in Hall D of the Roundup Centre, in the Western Showcase.
According to publicity material, the theme "Digital Discovery - Exploring the transition from film to digital" will be featured. As always, the contributors will be from around the world.
Rumour has it that our own Neil Koven will have a number of images on display! Make sure you have a look!
Unplug Your Epson Printer!
By Jack Dyck
Those of you with digital darkrooms may find this article useful.
Not everyone uses a commercial photofinisher for their digital images. Many people prefer printing at home for a variety of reasons - control and convenience being the primary ones for most.
For amateur and limited professional use, the choice is usually between various makes and models of inkjet/bubblejet printers.
One problem with inkjet and bubblejet printers is that they must be used occasionally to prevent ink from drying in the print-head nozzles. If this is not done routinely, it's possible to have nozzles which are blocked, possibly permanently.
Some brands of printers feature print-heads which are integrated into the ink cartridge. For these types, replacing the ink cartridge(s) will provide a fresh set of unblocked nozzles.
Epson photo printers - nominally the market leaders - don't work that way. For these printers, the nozzles are an integral part of the printer's carriage, and are intended for indefinite use over the life of many ink cartridges. For many of these models, the print heads are not a removable entity by the end user, making them difficult to clean if they become plugged.
To get to the point of this article's title then, I'm not going to tell you how to make your printer wireless, I'm just going to describe how I unplug my print-head's nozzles - after all the instructions in the manual fail to do the job. This is pretty simple, really, but Epson won't tell you how to do this.
Maybe I shouldn't either! What I'm about to describe is something that should be approached with caution; as far as I know, Epson doesn't condone this procedure, and it may void your warrantee. I didn't have the nerve to try this except that my warrantee had expired, and I was ready to try anything - to avoid taking my printer in for service.
In other words, do this at your own risk; if you break your printer, I won't buy you a new one - and if you void your warrantee - well, I warned you! Before you do this, follow all of your printer manufacturer's recommendations carefully. Proceed with the following instructions only if those recommended techniques fail.
My printer is an Epson Stylus Photo 1270. Treatment for other Epson printers - and possibly other brands - may be similar enough that this procedure is helpful.
In the normal non-printing state, the carriage remains locked
on the right-hand side. You need to get it free in order to
clean the nozzles.
In Epson printers (at least, for my Epson Stylus Photo 1270), you
press a button hidden under the lid to move the carriage to the left
so you can replace the ink cartridges. This is a necessary first step -
even though there's no need to remove the ink cartridges.
The next step is to do something the manual specifically forbids; you must pull the printer's power plug out of the wall! This is necessary to avoid the printer's usual power-down sequence, wherein it will dutifully park and lock the carriage on the right.
Now that the power is off and the carriage isn't locked on the right, you
can gently push the carriage to the center of the machine. (If it won't move,
your printer is built differently from mine, and you'll have to try some
other technique.)
Using scissors, prepare a paper towel:
Place one of the pointy ends of the rolled paper towel into
the track which runs below the print heads. Ensure it sits flat
on top of the track.
Carefully move the carriage over the paper towel spike. If you placed the
paper towel carefully and patted it down, you'll see the tip of the spike
on the other side of the carriage. If you didn't, the paper towel will
jam under the print heads - if so, DO NOT FORCE the carriage; rearrange
the paper towel spike and try again.
Now for the messy part; grab the paper towel carefully on each side of the carriage, and slowly pull it back and forth underneath the carriage. You may need to pull upwards a little so it contacts the print heads.
Did I mention the paper towel will be saturated with ink? I hope you weren't in your Sunday best when you tried this! And for a bonus, you'll have Technicolor fingers for a few days, too...
After you have rubbed the moist paper towel under the print-heads, you may want to repeat the procedure with fresh towels a few times, to maximize the contact time between the heads and the paper towels, and to wick away any excess ink.
When you are done, remove the paper towel and ensure there are no torn scraps in the track. Then, plug the printer's power cord in. The printer will go through a normal power-up routine (after relocating the carriage back to the parked position) and present itself as ready for printing.
Except, it's not really ready yet.
Use the Epson driver's utility to perform a head cleaning once, then a nozzle check. If the nozzle check passes, you are done. (If you don't know how to do these steps, you shouldn't be following this procedure!)
If the nozzle check doesn't pass, then print a small image on junk paper - a postcard will do, on used paper. All you're trying to do is ensure that all of the coloured inks are forced to flow. Don't worry about the quality of the image yet. Run the nozzle check once again. If some nozzles appear to remain blocked, you have 2 choices:
In future, there are only 2 things you need to do to avoid blocked nozzles:
Happy printing!
Meeting Notice
Our next club meeting will be held Wednesday July 7 2004 at 7:30pm.
As per our summer custom, it will be an outdoor meeting, this time held in Confederation Park. We'll meet in the parking area on 10th Street NW by the recycling bins.
Our guest speaker at the July meeting will be our own Brian Henson. The theme for the meeting is "infrared exposure". As you are aware, Brian shoots infrared film routinely, and he obtains results which are anything but routine.
You are encouraged to bring your photo gear for the meeting, since it is intended to be a hands-on experience rather than a lecture. While the infrared part is optional - you are welcome to come out and shoot whatever film you want - if you've ever considered trying infrared, this is the time to do so.
So, if you'd like to try infrared, bring:
Kodak's HIE film datasheet, (available here) states: Load and unload your camera in total darkness. Store loaded film holders and cameras in subdued light, or total darkness if possible. If you can, load the film in your darkroom or a closet before you arrive. Alternately, Stephen Butt has volunteered to bring a changing bag so you can load/unload film onsite if you prefer.
Oh, yeah, some of you may recall that nudes have a recurring habit of creeping into Brian's images - including his infrareds! You'd better come out July 7; film exposure might not be the only kind occurring!
(There will be no print competitions at our summer meetings.)
Calgary Photographic Society
Contact Information
The 2004 executive is as follows:
| position | name |
| President | José Guillén |
| Treasurer | Norm Capper |
| Monthly Program Dir. | Harry Mah |
| External Program Dir. | Stephen Butt |
| Secretary | Julie Meisser |
| Archivist | Fran Williams |
| Newsletter Editor | Jack Dyck |
Contact information for the current executive can be found here.
This concludes the July 2004 newsletter.
If anyone has ideas for guest speakers for future meetings, please contact Harry Mah.
If members have material for the newsletter - announcements, news, exhibitions, awards, soapbox articles, wanted/for sale, etc - please forward to Jack Dyck.
See you at the July 7 meeting, and bring your camera and infrared film for an interesting evening in the park!
Jack Dyck - newsletter editor.