Calgary Photographic Society
July 2004 Newsletter


Top of page

Newsletter Index

CPS Home Page


President's Message

With the arrival of summer, it has been the Calgary Photographic Society's tradition to hold the July and August meetings outdoors. That gives all members the opportunity to enjoy the weather, hold a workshop outdoors, share ideas and experiences, make some nice photographs, and even go for a drink in a nice patio after the meeting.

The July meeting will take place at Confederation Park in the NW. It will be a workshop on infrared photography, conducted by our own Brian Henson. Please read the specific information in this newsletter about meeting place, equipment and film needs.

Last but not least, I want to thank all club members for helping the executive to decide about the fairest print competition system and structure of categories. Your time, patience, sharing of ideas and opinion is much appreciated.

José

José Guillén
President, Calgary Photographic Society





Top of page

Newsletter Index

CPS Home Page





Club meeting, June 2 2004
Guest Speaker

Our guest speaker at the June meeting was George Barr.


George Barr

George Barr does not earn a living in photography; photography is one of his passions. His passions continue to drive him, even after 4 decades of exposures! He has gallery representation, and his images can be found on the Internet.

George was immersed in black and white work for many years. He looked to Ansel Adams and Edward Weston for inspiration. He once had the honour of holding a real Edward Weston print - a priceless experience! For technical knowledge, he was particularly driven by the advice of Fred Picker.

Like many, he started out with 120 format, and "graduated" to 35mm. Then, as his images matured, he went back to 120 format and "graduated" again - this time in the other direction, to large format. In the last couple of years, he has been using digital cameras to a large degree.

The use of digital cameras has changed George's output in 2 ways:

First, he has seen his productivity rise dramatically. He has more images on display from the last 2 years of his effort than all the prior years combined.

Secondly, he has rediscovered colour images. Since digital cameras always capture in colour, it is up to the user to convert the images to monochrome if desired. More often than not, George is choosing to retain the colour information.

Digital cameras do not currently offer sufficient resolution for George's liking. To solve this, he often shoots a mosaic of images from the same vantage point and uses software to "stitch" the images together - effectively increasing the camera's resolution by the number of images used.

When George spent an evening with us, he brought along an entire gallery of prints. Almost all were shot digitally, all were less than 2 years old, and most were in colour. A number of images had been "stitched" from multiple exposures; one particularly large one had been made from a total of 18 exposures.

One notable thing about most of George's work is that he usually excludes sky from the image! This is unusual for a landscape aficionado. He explained: "Even if the weather is rotten, I can still make images." Considering his background in black and white - where colour balance of light sources is a (blessed!) non-issue - it's interesting to see he has retained this viewpoint even though he typically prints his images in colour nowadays.

Our thanks go to George Barr for sharing an evening, his thoughts, and his images with us!





Top of page

Newsletter Index

CPS Home Page





Club meeting, June 2 2004
Print Competition Category Vote

In May, a questionnaire was circulated to members via e-mail to see what issues were of concern regarding the way our monthly print competitions are being judged.

Upon summarizing the responses, the executive felt that the only action necessary might be to change the categories in which the prints were being judged.

The executive chose to poll the members in attendance at the June meeting in order to choose from 3 sets of categories, presented below with the fraction of votes:

Option 1 (3 out of 21 votes)
Novice OpenNovice Theme
Intermediate OpenIntermediate Theme
Advanced OpenAdvanced Theme
Digital Open---
Exhibition---

Option 2 (4 out of 21 votes)
Novice OpenNovice Theme
Intermediate OpenIntermediate Theme
Advanced OpenAdvanced Theme
Manipulated OpenManipulated Theme
Exhibition---

Option 3 (14 out of 21 votes)
Novice OpenNovice Theme
Intermediate OpenIntermediate Theme
Advanced OpenAdvanced Theme
Exhibition---

The third choice was the clear favourite! This choice simplified the current set of categories by removing the "digital" category. Images created using any technique will be judged together - unmanipulated and manipulated alike, regardless of the technique used to produce the image.

Monthly print competitions starting with September 2004 will be judged using these 6 categories. As before, the exhibition category will remain as an unjudged showcase.

If desired, any entrant who presents a manipulated image - using any technique - is welcome to bring a copy of the image prior to manipulations for display to the audience.





Top of page

Newsletter Index

CPS Home Page





Club meeting, June 2 2004
Print Competition Results
Theme: "Close-up"

Definition of Close-up: "a photograph taken at close range," or, "an intimate view or examination of something."

Source: Webster's New Collegiate Dictionary

Judges for the print competition this month were George Barr (our guest speaker for the evening), Juan Houston, and Scott Winter. The alternate judge was Tino Meisser.




Novice Open
Doug McNulty
"Skipper"

ScoreNovice OpenTitle
6.3 Doug McNulty Skipper





Novice Theme
Terry Mah
Untitled

ScoreNovice ThemeTitle
8.0 Terry Mah Untitled (red flower)
7.6 Doug McNulty Damselfly
6.0 Maidie Couvillon Bighorn




ScoreIntermediate OpenTitle
--- no entries this month ---





Intermediate Theme
Fran Williams
"Spring Close-up"

ScoreIntermediate ThemeTitle
6.6 Fran Williams Spring Close-up
6.3 Jack Dyck Caterpillar
6.0 Lee Anne Daniels Mystery Flower





Advanced Open
Linda Maki
"South Beach"

ScoreAdvanced OpenTitle
7.6 Linda Maki South Beach
7.3 Norm Capper Kohi-San Woman
6.6 Julie Meisser Sunflowers
6.6 Steve Wild To Boldly Go Where No Ice Has Gone Before
6.3 Neil Koven Don't Fence Me In





Advanced Theme
Neil Koven
"Headlamp"

ScoreAdvanced ThemeTitle
8.6 Neil Koven Headlamp
8.3 Scott Winter Bird of Paradise
7.3 Norm Capper Gecko
7.3 Linda Maki Berries on a Rainy Day
7.3 Julie Meisser Close-up
6.3 Steve Wild Rustscape





Digital
Terry Mah
"Ketchikan Car"

ScoreDigitalTitle
7.3 Terry Mah Ketchikan Car
7.3 Scott Winter Self-Portrait
6.0 Neil Koven Gulls at Sunset

This image, tied for first, had the honour of
being the last image shown in the "digital" category.
Between chuckles, members in the audience were
heard asking: "What's digital about it?"

Digital
Scott Winter
"Self-Portrait"



.Exhibition.
N/S Brian Henson Fish Ponds at Hadrian's Villa
N/S Brian Henson Untitled (hallway, stairs and railings)
Pair of prints for contrast comparison




Top of page

Newsletter Index

CPS Home Page





Upcoming Competition Themes:

Date Theme Definition
Jul
2004
no theme No print competition
Aug
2004
no theme No print competition
Sep
2004
Toilet "An outhouse. A biffy. A crapper, a loo, a dunny. A dumpster, latrine, or throne. You get the idea..."
Source: Stephen Butt
Oct
2004
Sunset "the apparent descent of the sun below the horizon, also: the accompanying atmospheric effects"
Source: Webster's New Collegiate Dictionary
Nov
2004
Sharp "adapted to cutting or piercing", or "having a thin keen edge or fine point"
Source: Webster's New Collegiate Dictionary
Dec
2004
Gold(en) "a variable colour averaging deep yellow", or "having the colour of metallic gold"
Source: Webster's New Collegiate Dictionary
Jan
2005
Glass "hard, usually brittle and transparent substance made by fusing sand"
Source: Oxford English Dictionary
Feb
2005
Underwear "clothing or an article of clothing worn next to the skin and under other clothing"
Source: Webster's New Collegiate Dictionary
Mar
2005
Fence "a barrier intended to prevent escape or intrusion or to mark a boundary, especially such a barrier made of posts and wire or boards."
Source: Webster's New Collegiate Dictionary
Apr
2005
Wheel "a circular frame of hard material that may be solid, partly solid, or spoked and that is capable of turning on an axle"
Source: Webster's New Collegiate Dictionary




Top of page

Newsletter Index

CPS Home Page





Members in the news - Neil Koven

Press release dated April 27 2004.

2004 Professional Photographers of Canada National Print Competition

The 2004 National Print Competition of the Professional Photographers of Canada (PPOC) took place this week in Quebec City during their Annual Convention.

Neil Koven, CPA ARPS, a professional photographer from Calgary, AB.

Neil had 3 images accepted and exhibited in the National Print Salon, judged prior to the Convention by a panel of Master Photographers from across Canada. Acceptance in the Salon earns the maker Merits toward several Degrees offered to PPOC members, including the prestigious Craftsman of Photographic Arts and Master of Photographic Arts. It is also an indication of the makers' ability to produce above average images for their clientele.

The competition features entries from across Canada in many different classes, including Portraiture, Wedding, Commercial, Digital, and Specialist categories. Members are also able to enter Salons in their respective regions of Canada annually, increasing their opportunities to earn recognition for their skills as a PPOC member.

The Annual Convention also presents seminars by an international assortment of the world's foremost photographers, as well as a Trade Show where suppliers display the latest in equipment and services to the Professional Photographic industry.

For more information on the activities and services offered by the Professional Photographers of Canada, interested readers may contact the organization by phoning 1-888-643-PPOC, e-mailing ppoc at rogers.com, or visiting the PPOC Web Site at http://www.ppoc.ca

PPOC wishes the recipients and their sponsors continued success.

Submitted by:
André Amyot, HLM MPA
National Exhibition Chair, PPOC

Samples of the 3 images submitted by Neil are shown below; these ought to look familiar to regular attendees of the monthly meetings!

Congratulations are in order for Neil on his accomplishments!





Top of page

Newsletter Index

CPS Home Page





Upcoming Events

Don't miss the International Photo Salon (sponsored by Kodak) at the Calgary Stampede this year. Apparently, 1800 photographs will be on display.

The Salon will be located in Hall D of the Roundup Centre, in the Western Showcase.

According to publicity material, the theme "Digital Discovery - Exploring the transition from film to digital" will be featured. As always, the contributors will be from around the world.

Rumour has it that our own Neil Koven will have a number of images on display! Make sure you have a look!





Top of page

Newsletter Index

CPS Home Page





Unplug Your Epson Printer!

By Jack Dyck

Those of you with digital darkrooms may find this article useful.

Not everyone uses a commercial photofinisher for their digital images. Many people prefer printing at home for a variety of reasons - control and convenience being the primary ones for most.

For amateur and limited professional use, the choice is usually between various makes and models of inkjet/bubblejet printers.

One problem with inkjet and bubblejet printers is that they must be used occasionally to prevent ink from drying in the print-head nozzles. If this is not done routinely, it's possible to have nozzles which are blocked, possibly permanently.

Some brands of printers feature print-heads which are integrated into the ink cartridge. For these types, replacing the ink cartridge(s) will provide a fresh set of unblocked nozzles.

Epson photo printers - nominally the market leaders - don't work that way. For these printers, the nozzles are an integral part of the printer's carriage, and are intended for indefinite use over the life of many ink cartridges. For many of these models, the print heads are not a removable entity by the end user, making them difficult to clean if they become plugged.

To get to the point of this article's title then, I'm not going to tell you how to make your printer wireless, I'm just going to describe how I unplug my print-head's nozzles - after all the instructions in the manual fail to do the job. This is pretty simple, really, but Epson won't tell you how to do this.

Maybe I shouldn't either! What I'm about to describe is something that should be approached with caution; as far as I know, Epson doesn't condone this procedure, and it may void your warrantee. I didn't have the nerve to try this except that my warrantee had expired, and I was ready to try anything - to avoid taking my printer in for service.

In other words, do this at your own risk; if you break your printer, I won't buy you a new one - and if you void your warrantee - well, I warned you! Before you do this, follow all of your printer manufacturer's recommendations carefully. Proceed with the following instructions only if those recommended techniques fail.

My printer is an Epson Stylus Photo 1270. Treatment for other Epson printers - and possibly other brands - may be similar enough that this procedure is helpful.


In the normal non-printing state, the carriage remains locked on the right-hand side. You need to get it free in order to clean the nozzles.


In Epson printers (at least, for my Epson Stylus Photo 1270), you press a button hidden under the lid to move the carriage to the left so you can replace the ink cartridges. This is a necessary first step - even though there's no need to remove the ink cartridges.

The next step is to do something the manual specifically forbids; you must pull the printer's power plug out of the wall! This is necessary to avoid the printer's usual power-down sequence, wherein it will dutifully park and lock the carriage on the right.


Now that the power is off and the carriage isn't locked on the right, you can gently push the carriage to the center of the machine. (If it won't move, your printer is built differently from mine, and you'll have to try some other technique.)

Using scissors, prepare a paper towel:

  • cut a paper towel in half diagonally
  • crumple it up
  • soak it thoroughly in clean water
  • squeeze the water out of it until no drops drip
  • untangle the paper towel
  • roll it into a loose spike along the long edge

  • Place one of the pointy ends of the rolled paper towel into the track which runs below the print heads. Ensure it sits flat on top of the track.


    Carefully move the carriage over the paper towel spike. If you placed the paper towel carefully and patted it down, you'll see the tip of the spike on the other side of the carriage. If you didn't, the paper towel will jam under the print heads - if so, DO NOT FORCE the carriage; rearrange the paper towel spike and try again.

    Now for the messy part; grab the paper towel carefully on each side of the carriage, and slowly pull it back and forth underneath the carriage. You may need to pull upwards a little so it contacts the print heads.

    Did I mention the paper towel will be saturated with ink? I hope you weren't in your Sunday best when you tried this! And for a bonus, you'll have Technicolor fingers for a few days, too...

    After you have rubbed the moist paper towel under the print-heads, you may want to repeat the procedure with fresh towels a few times, to maximize the contact time between the heads and the paper towels, and to wick away any excess ink.

    When you are done, remove the paper towel and ensure there are no torn scraps in the track. Then, plug the printer's power cord in. The printer will go through a normal power-up routine (after relocating the carriage back to the parked position) and present itself as ready for printing.

    Except, it's not really ready yet.

    Use the Epson driver's utility to perform a head cleaning once, then a nozzle check. If the nozzle check passes, you are done. (If you don't know how to do these steps, you shouldn't be following this procedure!)

    If the nozzle check doesn't pass, then print a small image on junk paper - a postcard will do, on used paper. All you're trying to do is ensure that all of the coloured inks are forced to flow. Don't worry about the quality of the image yet. Run the nozzle check once again. If some nozzles appear to remain blocked, you have 2 choices:

    1. If you think the nozzles are still plugged, repeat the whole procedure with the paper towels, to give greater opportunity for the nozzles to unplug.
    2. Alternately, you can try forcing the printer to pump excess ink through the nozzles. Follow the routine for replacing the ink cartridge(s) by pressing the button, removing the cartridges, re-installing them, and then allowing the printer to "charge" the nozzles as if it had actual fresh cartridges installed.
    When done, you should be able to print a flawless test pattern.

    In future, there are only 2 things you need to do to avoid blocked nozzles:

    1. Try to print a small photo image at least once every other week, and;
    2. When shutting it down, make sure you use the printer's power button prior to switching off any power bars or unplugging the printer. Using the printer's power button allows it to clear the nozzles before parking the heads, minimizing the opportunity for blocked nozzles.

    Happy printing!





    Top of page

    Newsletter Index

    CPS Home Page





    Meeting Notice


    Our next club meeting will be held Wednesday July 7 2004 at 7:30pm.

    As per our summer custom, it will be an outdoor meeting, this time held in Confederation Park. We'll meet in the parking area on 10th Street NW by the recycling bins.

    Our guest speaker at the July meeting will be our own Brian Henson. The theme for the meeting is "infrared exposure". As you are aware, Brian shoots infrared film routinely, and he obtains results which are anything but routine.

    You are encouraged to bring your photo gear for the meeting, since it is intended to be a hands-on experience rather than a lecture. While the infrared part is optional - you are welcome to come out and shoot whatever film you want - if you've ever considered trying infrared, this is the time to do so.

    So, if you'd like to try infrared, bring:

  • a roll of black and white IR film (example: Kodak HIE 135-36, about $14)
  • a red filter (example: #25, about $25 for 52mm by Tiffen)
  • your camera body and lenses.

  • If that's too rich for an experiment, buy the film but not the filter. Several club members who have filters to lend or share will be in attendance.

    Kodak's HIE film datasheet, (available here) states: Load and unload your camera in total darkness. Store loaded film holders and cameras in subdued light, or total darkness if possible. If you can, load the film in your darkroom or a closet before you arrive. Alternately, Stephen Butt has volunteered to bring a changing bag so you can load/unload film onsite if you prefer.

    Oh, yeah, some of you may recall that nudes have a recurring habit of creeping into Brian's images - including his infrareds! You'd better come out July 7; film exposure might not be the only kind occurring!

    (There will be no print competitions at our summer meetings.)





    Top of page

    Newsletter Index

    CPS Home Page





    Calgary Photographic Society
    Contact Information

    The 2004 executive is as follows:

    positionname
    PresidentJosé Guillén
    TreasurerNorm Capper
    Monthly Program Dir.Harry Mah
    External Program Dir.Stephen Butt
    SecretaryJulie Meisser
    ArchivistFran Williams
    Newsletter EditorJack Dyck

    Contact information for the current executive can be found here.





    Top of page

    Newsletter Index

    CPS Home Page





    This concludes the July 2004 newsletter.

    If anyone has ideas for guest speakers for future meetings, please contact Harry Mah.

    If members have material for the newsletter - announcements, news, exhibitions, awards, soapbox articles, wanted/for sale, etc - please forward to Jack Dyck.

    See you at the July 7 meeting, and bring your camera and infrared film for an interesting evening in the park!

    Jack Dyck - newsletter editor.





    Top of page

    Newsletter Index

    CPS Home Page